The Blonde45 is a two-channel amplifier head with a “clean” and a “crunch” channel. The “clean” channel remains completely clean even at higher volumes. The sound is warm, and its tone is controlled by a built-in “bright switch” that can be further customized to your specific taste. The “crunch” channel and the entire design are inspired by our beloved “Plexi” from England, but in the Blonde45, the goal is the first model from 1964. While the “Plexis” needed to be played loud the Blonde45 can reproduce the same experience and feeling at lower volumes, which is suits today’s needs. It has a warmer tone and is naturally rich in overtones, which further enhances the feeling. Regardless of the volume level, the Blonde45 sounds the same thanks to its “point-to-point” construction. It has a built-in ultra-transparent FX loop.

It can also be delivered as a 1×12″ or 2×12″ combo.

The Blonde100 is a two-channel amplifier head with a “clean” and a “crunch” channel. The “clean” channel remains completely clean even at higher volumes. The sound is warm, and its tone is controlled by a built-in “bright switch” that can be further customized to your taste. The “crunch” channel and the entire design are inspired by Darios beloved  ’74 “Super Lead” with a few tweaks. 

While the “Super Lead” needed to be played loud, the Blonde100 can reproduce the same experience and feeling at lower volumes, which is desirable for today’s needs. Naturally, it is aggressive and rich in overtones, which further enhances the feeling. If you love big sound, the Blonde100 is the obvious choice with its headroom where volume doesn’t affect the sound quality. Whether low or high, the Blonde100 sounds the same thanks to its “point-to-point” construction. It has a built-in ultra-transparent FX loop.

The Blonde100VZ (Vic Zino Model) is a two-channel amplifier head with a “clean” and a “crunch” channel sharing tone controls (Bass-Middle-Treble). The “clean” channel is tailored to Vic’s preferences. With the gain control, it can be adjusted from clean to crunchy a la “Malcolm”. A built-in “bright switch” offers additional control over the sound and can be customized to your taste. The “crunch” channel and the entire design are inspired by Darios beloved  ’74 “Super Lead” with a few tweaks. 

While the “Super Lead” needed to be played loud, the Blonde100VZ can reproduce the same experience and feeling at lower volumes, which is desirable for today’s needs. Naturally, it is aggressive and rich in overtones, which further enhances the feeling. Whether low or high, the Blonde100VZ sounds the same thanks to its “point-to-point” construction. Vic plays it with the volume at 5 (extremely loud!!!). It has a built-in ultra-transparent FX loop.

The Blonde18 is a single-channel amplifier head with a line out and a dummy load. The sound is the same as in the Blonde 100. Inspired by our beloved ”Plexi” from England. While the ”Plexis” needed to be played loudly, the Blonde18 can reproduce the same experience and feeling at lower volumes, which is desirable for today’s needs. Naturally, it is aggressive and rich in overtones, which further enhances the feeling. A perfect choice for those who want to have it at home next to the computer for creative moments or don’t want to carry heavy equipment.

The Redhead18 is a single-channel amplifier head with a line out and a dummy load. The sound is the same as in the Blonde 45. Inspired by our beloved ”Plexi” from England, aiming for the original model from 1964 – looser, warmer, and rounder in sound. While the ”Plexis” needed to be played loudly, the Redhead18 can reproduce the same experience and feeling at lower volumes, which is desirable for today’s needs. Naturally, it is aggressive and rich in overtones, which further enhances the feeling. A perfect choice for those who want to have it at home next to the computer for creative moments or don’t want to carry heavy equipment.